“On the Slow Side of Light” (2008). for two channel digital audio.

Concrète piano sounds serve as the connecting factor between the four main sections of this work. The opening consists of dry manipulated sounds, followed by an accelerando section in which a short piano figure is looped and increased in speed (to over 10,000bpm) until the figure morphs into a continuous timbre, and is then abruptly cut off.  A more ambient section follows, in which familiar piano sounds are set against a synthesized soundscape.  This is finally replaced by music of the opening.