“les cloches isolées, la nuit vide…” (2009). for cello and Max/MSP.

(The Lonely Bells, the Empty Night) is a spectrally driven work centered around the fusion of a bell timbre with that of the cello’s C string. The merging of the cello’s acoustic world and that of the other-wordly tape sounds is facilitated by the processing of the cello sound with reverb and echo, and by virtue […]

“spaces : between : time” (2004) for flute(also picc), B♭ clarinet (also bass cl.), violin, cello, piano.

spaces : between : time, completed in December 2004, is a work exploring the juxtaposition of contrasting musical ideas and later the subsequent melding and interplay between those ideas.   The most striking pair of elements used here is comprised of rhythmic ideas, and takes the form of short, percussive, staccato attacks and longer, legato, more […]

“Lumen” (2006). for alto flute (also flute and picc), B♭ clarinet (also bass cl.), violin, cello, percussion, piano.

Lumen is an expansive work (~16″) that required the breaking of some compositional boundaries by which I had felt somewhat previously confined. The result is a work that explores a whole array of musical ideas from two-part counterpoint to dense, virtuosic ensemble work; from solo sections to a rich, vibrant kaleidoscope of color and timbre. […]

“Tenebrae” (2008). for flute, clarinet, violin, cello, piano

Tenebrae was written in fulfillment of a commission from the New York New Music Ensemble. One of the main issues I dealt with in composing Tenebrae was the exploration of methods of transition between various types of timbral/harmonic constructs.  Forward motion and formal narrative relies on gradual transformative processes that change one structural harmony into another. […]